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Ella Wahlström

Ella Wahlström

Sound Designer

Ella is a London-based Sound Designer and trained at Rose Bruford. She’s an original sound operator of Complicite’s The Encounter and a Co-Sound Designer of Robert Wilson and Mikhail Baryshnikov’s Letter to a Man. Theatre Sound Design credits include: Kite (The Wrong Crowd), Black & White, Arashi No-Ie (59 Productions Ltd.), End of the Pier (Park Theatre), Jellyfish (Full Fathom Productions), This Restless State (Fuel Theatre), Trying it On (China Plate), Cuttin’ It (Royal Court, Secondary Schools Tour), Of Kith and Kin (Sheffield Theatre, Bush Theatre), Wing on Wing (New York Philharmonic), Letter to a Man (Change Performing Arts), Salonen Cello Concerto (Chicago Symphony Orchestra/New York Philharmonic/LA Philharmonic), Three Generations of Women (Broken Leg Theatre, Greenwich Theatre), The Life (English Theatre Frankfurt), The Ballad of Robin Hood (Tacit Theatre, Southwark Playhouse), The Bunker Trilogy, The Frontier Trilogy and The Capone Trilogy  (Jethro Compton, Edinburgh Fringe and international touring), Empty Vessels (Rosemary Branch Theatre) Sirenia (Jethro Compton, Edinburgh Fringe), Klippies (Southwark Playhouse), Chicken Dust (Finborough Theatre) In Lambeth (Spellbound Productions, Southwark Playhouse), Carroll: Berserk (Spindrift Theatre, Drayton Arms Theatre), A Study in Scarlet (Tacit Theatre, Southwark Playhouse), Titus Andronicus (Hiraeth, Arcola), Romeo and Juliet (Hiraeth, Upstairs at the Gatehouse, Theatre Uncut (Theatre Uncut, Young Vic), The Revenger’s Tragedy and Henry V (Old Red Lion Theatre). Associate Sound Designer: Othello (Frantic Assembly), JOHN (DV8), The Cripple of Inishmaan (Michael Grandage Company). 

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